Robyn Lynne Norris’s free-form satire makes its premiere that is off-Broadway at Westside Theatre.
Go from a veteran: on line dating suuuuucks. Yes, apps like OkCupid, Tinder, and Hinge reduce from the awkwardness that accompany approaching prospective love passions in individual and achieving to discern a person’s singlehood within the place that is first. But placing apart the fact perhaps the many complex algorithm can’t constantly anticipate in-person chemistry, forcing potential daters to boil on their own right down to a self-summary leads people to not just put across an idealized type of on their own for general general public usage, but additionally encourages individuals to latch on the many surface-level aspects to quickly see whether someone’s worth pursuing romantically. For ladies especially, online dating sites can also be dangerous, making them available to harassment or even even even worse from toxic males whom feel emboldened because of the privacy associated with online.
Yet, internet dating remains popular, therefore rendering it a target ripe for satire. Enter #DateMe: An OkCupid Test. Conceived by Robyn Lynne Norris, whom cowrote the show with Bob Ladewig and Frank Caeti, and located in component on her behalf very own experiences, the task is actually an extended sketch-comedy show, featuring musical figures, improvisatory portions with market involvement, and interactive elements (the show features its own OkCupid-like software that everybody is encouraged to install and create pages on prior to the show). In place of a plot, there is a character arc of types: Robyn (played in this premiere that is off-Broadway Kaitlyn Ebony), finding by by herself forced to try OkCupid the very first time, decides to see just what is most effective from the software by producing 38 fake profiles. If that appears overzealous, several of her guidelines — including never ever fulfilling some of the individuals she converses with online — declare that this experiment that is so-called been made to fail through the outset. The cynicism and despair underlying Robyn’s overelaborate ruse is periodically recognized for the show, with components of pathos associated with tips of the troubled past that is romantic recommendations that she’s got difficulty making deep connections with individuals as a whole peeking through the laughs.
For the many part, however, #DateMe is content to keep a frothy tone while doling away its insights.
Robyn’s findings of seeing a number of the exact exact same expressions and character characteristics on pages result in faux-educational portions when the remaining portion of the eight-member cast, donning white lab coats (Vanessa Leuck designed the colorfully diverse costumes), break people on to groups. Perhaps the creepiest of communications Robyn gets on OkCupid are turned into cathartically amusing songs (authored by Sam Davis, with words by Norris, Caeti, Ladewig, and Amanda Blake Davis). Of course any such thing, the two improvisatory segments — one in that the performers speculate how a date that is first two solitary market people would get predicated on their pages and reactions with their concerns, one other a dramatization of an audience user’s worst very very very first date — grow to be the comic features regarding the show (or at the very least, these were in the performance we went to).
It surely assists that the cast — which, along with Ebony, includes Chris Alvarado, Jonathan Gregg, Eric Lockley, Megan Sikora, Liz Wisan, Jillian Gottlieb, and Jonathan Wagner — are highly spirited and game. Lorin Latarro emphasizes a feeling of playfulness inside her way and choreography, particularly with a collection, created by David L. Arsenault https://datingrating.net/nl/daten-op-leeftijd/, that mixes the aesthetic of living spaces and game programs; and projections by Sam Hains that infuse the show because of the feeling that is appropriate of overload.
#DateMe can be so entertaining into the minute that just do you realize afterward exactly just how trivial its view of online dating sites in fact is. Because of this audience at the least, it had been disappointing to note the show’s blind spot with regards to battle and exactly how discrimination still plays down on dating apps today. As well as on a wider degree, the show does not link the increase of dating apps to your predominance of social media marketing in particular, motivating a change more toward immediate satisfaction than in-depth connection. Similar to of this very very first times dating apps will probably give you on, #DateMe: an experiment that is okCupid a completely enjoyable periods without making you with much to remember after it is over.